|from the front looking back|
- near maximum capacity
It was not a coincidence that I finally got this on the wall this week. On Thursday, I rented the annex at Zea Mays Printmaking for the day to print more unicorns, the snow leopard body, trees, and landscape, and it became apparent that I wasn't going to have anywhere to work on new large-scale collages with the pseudo-tapestry on the floor. So I pushed to get it hung up, then cleaned the studio in preparation for new work and tore and flattened paper, packed supplies, etc. Thursday morning, I was up before dawn to take Honey to doggy sleep-away camp so I could put down the seats and load the car - the blocks fit exactly in the back of the car (also not a coincidence O:) )
|The Zea Mays Annex - look at that gorgeous 70" Takach press and all |
the beautiful table space...
|Snow leopard body! |
Other reasons it was a good fit - lots of magnetized wall space and I was able to work overnight (one of my most productive times).
First, I filled the space with unicorn and snow leopard bodies (I brought the other parts too, so I could be sure I was matching the ink).
|Look at that splendidly large brayer|
|Floor to ceiling unicorns and snow leopards|
Once the room was filled, I took a break and went for a walk along the Mill River. It was a good way to recharge and beautiful light. I'd forgotten how much easier it is to take photos when I have both hands available, haha; even so, I couldn't help thinking how much Honey would have loved it, and I'm glad we get to go on our nature walks together most of the time.
Then I ate dinner and it was back to the studio for round 2 - I put away the first blocks and took down the first round of prints, and cleaned up the ink. Then I started over, printing the Gothic tree and landscape block. The landscape block, I double printed - printing once, then flipping over the paper and printing again.
By the wee hours of the morning, I re-filled the studio and then it was time to clean up everything with ink on it. I rested a little bit, and when it was light, packed the prints, loaded the car, and did a final check of all the cleaning. An excellent and very productive day at the studio - thumbs up!
|After round 2 of printing.|
I had to unpack as soon as I got home so that I could pick up Honey (who was a very good girl). Even though I saw her Thursday morning and was back by Friday morning, it was also Mini's first time ever home alone overnight. She handled it bravely (there was still a little food in her bowl, so I don't think she was that worried ;) ). She's been an active helper and seems to have learned learned how to burrow under the press cover while I was gone.
I was tired after the excellent art adventure to Zea Mays and learned it was the last weekend of the exhibition: Alphonse Mucha: Master of Art Nouveau at the Hyde Collection in Glens Falls...I really wanted to see it, so even though I was very tired, I went on a field trip.
I enjoyed the exhibition - in addition to a wide variety of finished prints, I liked that they had proofs of the color separations for color lithographs, something I don't think I've ever seen for a historic print, as well as layout drawings and an experiment of printing on silver paper. I think the show helped give a deeper look into his process. (No photos were allowed, so sadly, no pictures).
|showing the weird door|
I'd never been to the Hyde, so I was also excited to see the permanent collection - in particular, I'd been wanting to see the late 15th century/ early 16th century French tapestry fragments of the "Triumph of Eternity" and "Triumph of Love." As part of my obsession with wings, I've studied Petrarch's Triumphs, the illustrations of which are a gold mine for looking at historic depictions of creatures with wings. To me, the tapestries where stunning in quality. It kills me that they were cut down at some point in their history, and, very oddly, the door to the room where they're on display is open so that it overlaps part of the tapestry and interrupts the view, but being able to get so close to them helped make up for it.
Mmmmmm - late 15th - early 16th century, French tapestries depicting two of Petrarch's Triumphs (Eternity on the left and Love on the right) at the Hyde Collection, Glens Falls, NY
(I feel seeing the winged, great cat is particularly timely. :) )
|big marbling on top of the|
Back in the studio, I marbled the landscape prints. I also started cutting out the snow leopard parts.
|close up of the face - such pretty eyes - finished with watercolor, gold ink, white ink, black acrylic|
|a preview of the snow leopard with quarter for scale.|
Despite (because?) it being a very busy week, Honey and I managed to go for some walks in the conservation area.
And I got an interesting industrial landscape view from Glens Falls.
Last, but not least, our friend SJ Williams caught this funny one of Honey and me - clearly Honey still firmly believes she's a lap dog, and her human hasn't convinced her otherwise - hahaha.